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SAN FRANCISCO IMPRESIONISMO ABSTRACTO ⟸⟸⟸

⏩ MANU MAX –  ART 

Brief analysis of the artist's work / Análisis breve de la obra del artista


 IN ENGLISH  EN ESPAÑOL


IMPRESIONISMO ABSTRACTO

🔽 SAN FRANCISCO IMPRESIONISMO ABSTRACTO ⧫ IN ENGLISH



Considered as one of the best paintings of IMPRESIONISMO ABSTRACTO, this work with such exciting colors, full of itself and with so much movement, reflects all the details of this peculiar technique, demonstrating that an abstract impression can be achieved with anything in the world, let's analyze it a little bit.


Being part of the collection of paintings in the exhibition that reflected the icons of the world, this work does not go unnoticed before the eyes of thousands of spectators could contemplate it at that time, the abstract impression of one of the most famous cities of the The United States reflects how an icon can become something abstract without losing its essence and without completing its complete transformation into just an abstract image, a challenge for me but I did it unconsciously when I painted this work, since the entire technical part was impregnated in me, and I was not thinking everything in detail extremely, but I let that flow alone and that harmony gradually emerges from the knowledge acquired later, leaving the brushstrokes to set the pace of this composition, and that all the feeling that it means to paint a painting as the path that leads to thought when it comes to capturing such an appreciated work.

I perfectly remember taking a medium frame pulling small canvas, made by me, choosing the red color so passionate and marking the first strokes and I started and dance colors on the canvas that who would say that in the end would have become is a work with so much impact.

I remember that I wanted to use the color black as a shadow, I know that it ate the image slowly coming out as from the darkness of an inhospitable suspicious situation that we do not know where it comes from, nor how it behaves, it only takes the gaze towards the most important thing in the painting , giving an emphasis to that red color with great predominance also showing that there are more shades such as pink and orange, promoting a brutal contrast with the lighter part of the picture achieved with its natural contrast, white is a fundamental element in this work Since depth can be achieved on a canvas so flat that it confuses the eye of the spectators, this light color is opening paths in this dark geography of colors mixed in composition and harmony as if it were a beam of light showing the way opening I pass to the most important thing in the work, the abstract impression re-emerging from all this but at the same time merging in some parts so as not to stop. to think that it does not belong to the work, and thus creating this visual confusion that the spectator admires so much, with shadows that go against a proposed light, give rise to the fact that the entire painting is in continuous movement as if it were a permanent flame lost.

This fascinating painting was sold and at this moment I do not know its whereabouts, but the images that remained of it show us its tremendous importance.



IMPRESIONISMO ABSTRACTO🔽 SAN FRANCISCO IMPRESIONISMO ABSTRACTO ⧫ EN ESPAÑOL


Considerado como uno de los mejores cuadros del IMPRESIONISMO ABSTRACTO, esta obra con colores tan apasionantes llena de mismísimo y con tanto movimiento, refleja todos los detalles de esta técnica peculiar demostrando que se puede conseguir una impresión abstracta con cualquier cosa en el mundo, analicémosla un poco.

Al ser parte de la colección de cuadros de la muestra que reflejabas los iconos del mundo, esta obra no pasa desapercibido antes los ojos de los miles de espectadores de pudieron contemplarla en ese momento, la impresión abstracta de una de las ciudades más famosas de los Estados Unidos refleja como un icono puede convertirse en algo abstracto sin perder su esencia y sin completar su transformación completa en solo una imagen abstracta, todo un reto para mí pero que lo hice inconscientemente cuando pintaba esta obra, ya que toda la parte técnica estaba impregnada en mí, y no fui pensando todo en detalle extremadamente, sino deje que eso fluya solo y que la armonía vaya surgiendo de codo el conocimiento adquirido posteriormente, dejando que las pinceladas vayan marcando el ritmo de esta composición, y de que todo el sentimiento que significa pintar un cuadro sea como el camino que conduce al pensamiento a la hora de plasmar tan apreciada obra.

Me acuerdo perfectamente en tomar un bastidor mediano tirando a pequeño de lienzo, fabricado por mí, elegir el color rojo tan apasionado y marcar los primeros trazos y comencé y danza de colores sobre la tela que quien diría que al final se habría convertido es una obra con tanta repercusión.

Me acuerdo que quería utilizar el color negro como una sombra sé que comía la imagen lentamente saliendo como de las tinieblas de una inhóspita situación sospechosa que no sabemos de dónde viene, ni cómo se comporta, solo va llevando la mirada hacia lo más importante del cuadro, dando un énfasis a ese color rojo con gran predominio demostrando también que hay más tonalidades como el rosado y el naranja, promoviendo un contraste brutal con la parte más clara del cuadro conseguida con su contraposición natural, el blanco es un elemento fundamental en esta obra, ya que se puede conseguir una profundidad en un lienzo tan plano que confunde al ojo de los espectadores, este color tan claro va abriendo caminos en esta oscura geografía de colores mesclados en composición y armonía como si fuera un haz de luz mostrando el camino abriendo paso a lo más importante en la obra, la impresión abstracta resurgiendo de todo esto pero a la vez fusionándose en algunas partes para no parecer que no pertenece a la obra, y así creando esta confusión visual que tanto admira el espectador, con sombras que van en contra de una luz propuesta, dan pie a que todo el cuadro este en movimiento continuo como si se tratase de una llama permanentemente perdida.

Este fascinante cuadro fue vendió y en este momento desconozco su paradero, pero las imágenes que quedaron de él nos muestran su tremenda imponencia.          




IMPRESIONISMO ABSTRACTO
SAN FRANCISCO IMPRESIONISMO ABSTRACTO



SAN FRANCISCO IMPRESIONISMO ABSTRACTO
SAN FRANCISCO IMPRESIONISMO ABSTRACTO - ZOOM



SAN FRANCISCO IMPRESIONISMO ABSTRACTO
SAN FRANCISCO IMPRESIONISMO ABSTRACTO - ZOOM



SAN FRANCISCO IMPRESIONISMO ABSTRACTO
SAN FRANCISCO IMPRESIONISMO ABSTRACTO - ZOOM




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