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CAMINO IMPRESIONISMO ABSTRACTO ⟸⟸⟸

⏩ MANU MAX –  ART 

Brief analysis of the artist's work / Análisis breve de la obra del artista


 IN ENGLISH  EN ESPAÑOL


CAMINO IMPRESIONISMO ABSTRACTO🔽 CAMINO IMPRESIONISMO ABSTRACTO ⧫ IN ENGLISH


Today I am going to tell you about a painting that I made a long time ago, in reality it is not one of my traditional paintings of architecture with buildings of IMPRESIONISMO ABSTRACTO, but rather it is a rural landscape, a path near my old house where I lived, where There were not so many buildings but rather a small city in Argentina.


With a perspective like a funnel that plunges you into an endless endless world of possibilities and full of colors that will bring you like a magnet this painting what you want to represent an infinite path to the unknown, to a place that we do not know, but which enzymes it makes us very particular to see and it takes us back to an almost lost image that we can observe but at the same time not.
With very vivid colors such as red and yellow with a mega contrast of black and white, of course I painted this with my favorite paint, synthetic oil. Colors like orange appear unexpectedly in this confusing atmosphere of an endless network of meaningless brushstrokes that shape a particular harmony of shape unions that project depths that, as always, do not exist.

The bench shows us what we believe to be the most important thing, but as always it confuses us since the only thing it wanted to achieve was for the viewer to be absorbed with this inhospitable abstract impression. Black eats the entire image and pure colors miraculously give order to this structure. Yellow gives me the weight of these figures to get, it seems that there are blue colors, but they are not all warm colors.

These paths that seem to lead you nowhere are very often found in my old city, surrounded by the green of trees and plants, but in this case it seems rather autumnal, although autumn nature is very different from what we can see in the painting, the image is alive as it is full of color as if it were spring.

This time I used the brush strokes rather a bit longer than usual, this was one of the first pictures of IMPRESIONISMO ABSTRACTO that I made with a medium size, but rather pulling large.
Although it is not easily contemplated in the abstract impression at the end of this similar road there is a carriage, like the usual ones in the horse-drawn fields, this is how I imagine the field roads that I observed so much and said of this I have to do something confused.

When the work is finished, I was very excited to be able to achieve what in my mind was happening at that time, I said it is perfect, just as it is, with no detail missing, no detail missing and enzyme was one of my first works with this technique, a path that started all this of IMPRESIONISMO ABSTRACTO, that leads us to this world where nothing is what it really seems.


CAMINO IMPRESIONISMO ABSTRACTO🔽 CAMINO IMPRESIONISMO ABSTRACTO ⧫ EN ESPAÑOL

hoy le voy a hablar de un cuadro que realice hace mucho tiempo, en realidad no es uno de mis tradicionales cuadros de arquitectura con edificios del IMPRESIONISMO ABSTRACTO, sino más bien es un paisaje rural, un camino cerca de mi antigua casa donde vivía, donde no había tantos edificios sino más bien de una pequeña ciudad en Argentina.

Con una perspectiva como un embudo que te sumerge a un mundo sin fin infinito de posibilidades y lleno de colores que te va a trayendo como un imán este cuadro lo que quieres representar un camino infinito hacia lo desconocido, hacia un lugar que no conocemos, pero qué enzimas se nos hace muy particular ver y nos remonta a una imagen casi perdida que podemos observar pero que a la vez no.
Con colores muy vivos como el rojo y el amarillo con un mega contrasta de blancos y negros por supuesto esto lo pinte con mi pintura preferida, la sintética al aceite. Colores como el naranja van surgiendo de forma inesperada es esta atmosfera confusa de un entramado de sin fin de pinceladas sin sentido que van conformando una armonía particular de uniones de formas que van proyectando profundidades que como siempre inexistente.

El banco nos muestra lo que creemos que es lo más importante, pero como siempre nos confunde ya que lo único que quería lograr era que el espectador pueda ser absorbido con esta inhóspita impresión abstracta. El negro se va comiendo toda la imagen y los colores puros van dando milagrosamente un orden a esta estructura. El amarillo me da el peso de estas figuras que conseguir, pareciese que haya colores azules, pero no solo son todos colores cálidos.
Estos caminos que parecen llevarte a ningún lado se encuentran muy a menudo en mi antigua ciudad, rodeados del verde de los árboles y plantas, pero en este caso parece más bien otoñal, aunque el otoño la naturaleza es muy distinta a la que podemos ver en el cuadro, la imagen testa como viva llena de color como si fuera de primavera.

Esta vez utilice las pinceladas más bien un poco más largar que lo habitual, este fue uno de los primeros cuadros del IMPRESIONISMO ABSTRACTO que realice con u tamaña mediano, pero más bien tirando a grande.

Aunque no se contemple fácilmente en la impresión abstracta en el fin de este símil camino hay un carruaje, como los habituales en los campos tirado por caballos, así es como me imagine los caminos de campos que tanto observaba y dije de esto tengo que hacer algo confuso.

Cuando termine la obra me emocione mucho al poder logran lo que en mi mente pasaba en ese momento, dije es perfecto, así como es, con le falta ningún detalle, no le falta ningún detalle y enzima fue una de mis primeras obras con esta técnica, un camino que empezó todo este del IMPRESIONISMO ABSTRACTO, que nos lleva a este mundo donde nada es lo que parece en realidad.      




CAMINO IMPRESIONISMO ABSTRACTO
CAMINO IMPRESIONISMO ABSTRACTO



CAMINO IMPRESIONISMO ABSTRACTO
CAMINO IMPRESIONISMO ABSTRACTO - ZOOM



CAMINO IMPRESIONISMO ABSTRACTO
CAMINO IMPRESIONISMO ABSTRACTO - ZOOM




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