⏩ MANU MAX – ART
Brief analysis of the artist's work / Análisis breve de la obra del artista
⧫ IN ENGLISH ⧫ EN ESPAÑOL
🔽 LIBERTAD
IMPRESIONISMO ABSTRACTO ⧫ IN ENGLISH
If you see this painting, you can imagine many things that
the representation of white in the work is very ambiguous, but when it came to
carrying out the work with the IMPRESIONISMO ABSTRACTO technique, it only had a
single image on its head, let's talk a little about this particular painting.
New York is one of the cities in the world that I would like
to know, see its famous architecture and its world-famous icons, millions of
people living in a single totally cosmopolitan metropolis with billions of
charms, but if we have to talk about one in particular, that is the most famous
and that contemplates the word freedom, all eyes are on us in one in
particular, the acclaimed statue of the liberation of the United States, who
does not have an ambiguous image of what this gigantic work of art is like that
thousands want to visit at least once in their lives.
When I made it I wanted to highlight it only one thing and
in white, called the attention of everything in the painting, without using it
as it usually did for the black color as a union of everything, let the
atmosphere cover everything, at that time I used a lot of blue color that I was
so passionate about then I took different shades of blue, and I let them all
mix together forming endless possibilities to compose something in the
painting, all I wanted was to have a central composition and that the rest was
just like an abyss of thousands of possibilities to interpret, but that at the
same time is a set in harmony, that everything is placed for a reason without
leaving anything to chance, that it has an organic and pure structure, simple
from where it is seen and that it does not tire the view, easy to interpret but
at the same time totally tangled to give a concept to all this separately.
The statue of liberty rises like a single floe of gigantic
thread in the middle of an ocean of blues without a planned horizon, generating
in the viewer that feeling of depth that there is a light that illuminates
everything and that gives a concept to all this, disguised shadows, distortion
of objects, all living together in a single work as if it were an orderly
chaos, it is inevitable not to contemplate how the center of attraction is
eating everything in this work of art of IMPRESIONISMO ABSTRACTO, as the color white goes shouting freedom
in this night or sea that is eating it all, this blue with so many dimensions
of imaginable depths gives in such a small work to see, when one moves further
away, it is distorted and when it is closer, everything is entangled and the
confusion slowly enters our mind. It may or may not be what we think we see,
although we see it it is, but when we see more, we discover other things much
more interesting that makes us think how the author interpreted the freedom,
and how I tell them with a simple white color.
🔽 LIBERTAD
IMPRESIONISMO ABSTRACTO ⧫ EN ESPAÑOL
Si uno ve
este cuadro se puede imaginar muchas cosas que la representación del color
blanco en la obra es muy ambigua, pero a la hora de realizar la obra con la
técnica del IMPRESIONISMO ABSTRACTO solo tenía una solo imagen en la cabeza,
hablemos un poco de este cuadro tan particular.
New York es
una de las ciudades en el mundo que me gustaría conocer, ver su afamada
arquitectura y sus iconos mundialmente conocidos, millones de personas
conviviendo en una sola metrópolis totalmente cosmopolita con miles de millones
de encantos, pero si tenemos que hablar de una en particular, que sea el más
famoso y que contemple la palabra libertad, todas las miradas se nos dirigen en
unos solo en particular, la aclamada estatua de la liberar de Estados Unidos,
quien no tiene una ambigua imagen de cómo es esta obra de arte gigantesca que
miles quieren visitar al menos una vez en su vida.
Cuando la
realice quería destacarla una sola cosa y en color blanco, llamado la atención
de todo en el cuadro, sin usar como habitualmente lo hacia el color negro como
unión de todo, deje que la atmosfera lo cubriera todo, en ese momento utilizaba
mucho el color azul que me apasionaba tanto entonces tome distintas tonalidades
de azul, y los deje que todos se mesclen formado un sinfín de posibilidades de
componer algo en el cuadro, lo único que quería era tener una composición
central y que lo demás solo sea como un abismo de miles de posibilidades de
interpretar, pero que a la vez sea un conjunto en armonía, que todo este
colocado por una razón sin dejar nada al azar, que tenga una estructura
orgánica y pura, sencilla de donde se la vea y que no canse a la vista, fácil
de interpretar pero a la vez totalmente enmarañada de darle un concepto a todo
esto por separado.
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| LIBERTAD IMPRESIONISMO ABSTRACTO |
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| LIBERTAD IMPRESIONISMO ABSTRACTO |
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